Compassion.v1.11
Compassion is a fully-featured dynamics processor, ready for any dynamic processing on any signal. Behind the UI lies perhaps the most flexible dynamics engine ever designed. Any channel, any task, Compassion is ready to enable you to get the job done.
EQuality.v1.23
EQuality has been designed to be the perfect EQ to let your mixdowns shine. Something for every track of your session. For it to sound at least as good as any high-end console or rack gear, and with all the features and functionality that digital brings.
EQuick.v1.07
EQuick is a streamlined, ultramodern EQ built to help you make your mixes magnificent. Fast, intuitive and unbelievably flexible, we’ve packed it with digital functionality.
PitchFunk.v1.07
Science has officially gone too far. DMGAudio PitchFunk is an audio manipulating colossus that puts into your hands a laboratory-full of sound crunching effects.
EQuilibrium.v1.07
Drawing on 50 years of EQ heritage, EQuilibrium is a custom- designed power tool for audio professionals. User-adaptable design, a cutting edge feature set, built for tackling critical mix/mastering tasks.
‘Funkedelics For NI Massive’ contains 65 deliciously organic and ultra funky patches for Hip Hop, Funk, Trip Hop and other downtempo musical styles. Each patch has all eight Macro Controls assigned within the Massive synth. You’ll find a collection of ground-breaking FX, smooth pads and unique leads. This is the sequel to the popular ‘Straight-Up Hip Hop’ set.
Patches Included:
• 17 Basses
• 3 Keys
• 19 Leads
• 6 Pads
• 11 Sound Effects
• 9 Synths
• 65 Patches in total
Please Note: This patch set is in NMSV format only. Native Instruments’ Massive is required to use these sounds.
INFO: http://redi.se/e6s Funkedelics For NI Massive http://beelink.in/14079/Funkedelics-For-NI-Massive.html
Few strange psychedelic patches. I will definitely create something similar in the future, just larger and better. Names of the patches are made of slovak words for some kind of insect, flowers and animals :)
Ancient Chordophone is a Kontakt 5 plucked string library. The sound could be described as an organic-hybrid guitar. It is not designed to be a ‘real’ instrument, but rather a fun and useful sound. It’s great for atmospheric stuff and for making rhythms using the included arpeggiator.
Features:
Morphed presets – with synths, strings and sustained samples.
3 round robin.
Attack/ Release and Low/High EQ controls.
Random slider that randomises note start time.
Arpeggiator with 6 presets.
Stereo recordings at 96kHz/24bit.
21 sound design impulses.
4 effects; distortion, rotator, reverb and tempo synced delay with presets.
20 presets.
INFO: http://redi.se/e6u Ancient Chordophone KONTAKT http://beelink.in/14081/Ancient-Chordophone-KONTAKT.html
If you’re new to Cockos Reaper, or just want to learn more on the art of routing and signal flow, this title is a must have. Multi-Platinum Producer / Mixer Kenny Gioia shows you what you need to know about both basic and advanced signal flow and routing in Reaper, making your time spent in Reaper more efficient and creative. Kenny begins with an introduction explaining the important basics of Signal Flow in Reaper using pictures and diagrams. He then dives right in, revealing Reaper’s Virtual Patch Bay, where you’ll learn to recognize and utilize inputs, outputs, routing tracks and more. Channel Signal Flow is then explained and you’ll discover Input FX, Track FX, Item FX, Sends, Pans, Master Parent Send and how and when to use them.
Tracks are up next, and Kenny covers them all. You learn to choose and use each Track Type including Audio, Video, MIDI, Track Busses and Track Folders. Record Set Up is the next topic where you’ll explore preparing to record audio. See how to Select Tracks, Name Tracks, Assign Colors, Keystroke Shortcuts, Setting Levels, Record Modes, Monitoring Modes and more!
Kenny now changes gears and reveals all things MIDI, such as MIDI Setup and Click, Recording MIDI, Input Quantize, Loop Recording Drums, Overdubbing and Auto-Touch Recording and much more. Track Uses is then examined and you’ll discover how to utilize Hardware Inputs, Software FX Retuns, Parallel Compression techniques, create Headphone Mixes, how to Render Mixes and work the powerful Render Queue feature.
If you use Reaper to craft your productions, why not know the important topic of Signal Flow frontwards and back? Get “Reaper Signal Flow Explained” today and work smarter and faster.
Highlights
25 Tutorials / 2hrs 52minTotal Runtime
For all beginner to intermediate Reaper users
Tutorials written multi-platinum selling producer / engineer Kenny Gioia
Simple to use video control interface for Mac & PC
Watch Online, Download, Stream to iPad, iPhone & iPod
INFO:http://redi.se/e6v Reaper Signal Flow Explained TUTORiAL http://beelink.in/14082/Reaper-Signal-Flow-Explained-TUTORiAL.html
This Bolder sample set consists of 12 charming Christmas Bells which are attached to a mechanical sequencer of sorts. The bells are tuned to C5, D5, E5, F5, F#5, G5, A5, Bb5, C6, D6, and E6. I extended the mapping of the lowest sample to A4 and the highest sample to G6 for more flexibility. When put in play mode the sequencer sends a signal to the bell’s ‘clapper’ to play the corresponding bell for the correct note. The play list includes all your typical Holiday favorites like Joy To The World, I Saw Three Ships etc …
For purposes of sampling, I did not use the mechanical sequencer at all. Instead I just flicked the clapper with my finger while each bell was suspended from a mic stand. For each bell 2 articulations were sampled – hits with long full decays and muted hits. For each articulation of each note, 3 samples are rotated in Round Robin fashion. When you repeat the same note, a new sample is triggered in a rotating cycle of 3 different samples. The difference in sound is subtle but effective. Both the EXS24 and Kontakt support this programming feature. So, we end up with 72, 24 bit stereo pristine Christmas Bell samples in this sample set.
Christmas Bell Specifications
86 mb (unzipped)
58 mb (zipped)
24 bit stereo samples
3 round robins per note
Kontakt KSP scripting
Articulations – long decay and short muted samples
*Full version of Kontakt SAMPLER required. Will only run on the Kontakt PLAYER for 30 minutes in demo mode.*
INFO:http://redi.se/e6w Christmas Bells V2 NI KONTAKT Apple EXS24 http://beelink.in/14083/Christmas-Bells-V2-NI-KONTAKT-Apple-EXS24.html
I found this little vuvuzela in a supermarket and since it immediately got my son´s attention I bought it. The sound ? You know… vuvuzela. Just a simple whistle, the younger brother of the real vuvuzelas, which can damage not only your hearing, but also a football tournament ! :-) This little disaster produces single nasty high pitched tone, which only me and my son seem to like in our entire family. (… or our town ?) Anyway… this little whistle sampling came out quite interestingly and although here you get only one patch and in spite of all being said about nasty sound and gnats :-), it sounds nice and I believe can be useful. There are 4 RR and a bunch of effects to help you customize the sound to your liking. A slight arabian/african flavour is present, what I personally like the most about it. So… give it a shot and have fun ! :-)
Gnat Shepherd
- 24 bit / 44,1 kHz
- 22,5 MB (4 single wav files)
- 1 nki file
- orientally, sort of Arabian sounding
whistle instrument
- EQ, flanger, phaser, reverb, delay,
drive, stereo GUI controls
INFO:http://redi.se/e6x Gnat Shepherd KONTAKT http://beelink.in/14084/Gnat-Shepherd-KONTAKT.html
I found this thing on my way to a workplace. There is an old abandoned crypt in our town cemetery with a big rusted sign above its entrance. “You, who does not like obscure virtual instruments, shall not pass !” strange inscription says. A long stone stairway leads your steps down to the underground. Oh my… What should I do ?! After hesitating for a second (listening to the Titanic soundtrack on my mp3 player) I have responded to an explorer’s urge and stepped out in to the wet darkness. Immediately, very strange feeling captured me… I have reached the bottom finally. An old, ruined oltar in front of me, with the stone pedestal right next to it. Another strange writing carved there: “Let go of your reputation and take this gift from the underworld. Use it wisely, on special occassions only ! And don’t forget to tell the world.” I closed my eys for a while and did… Then I had felt like something heavy fell off of me and suddenly… I have noticed something lying on that pedestal. A 128 MB FLASH DRIVE ! With ‘For NI Kontakt 5′ words carved on one side. I took it with shaky hands and run home thrilled, eager to explore…
Cryptar
- 24 bit / 44,1 kHz
- 96,3 MB (45 single wav files)
- 11 nki files
- acoustic guitar samples
- 3X fake round robins
- kind of a guitar/piano/stringy character with omnipresent sound defects
- Eternal candle flames for endless nightshift recording sessions
- ideal for… cryptic jazz ?!
INFO:http://redi.se/e6y Cryptar KONTAKT http://beelink.in/14085/Cryptar-KONTAKT.html
Create, produce and perform. Create ideas, make changes without stopping, and capture everything as you work. If you’ve used music software before, you’re already familiar with with one half of Ableton Live. Live’s Arrangement View is a familiar working space: time moves from left to right, while tracks are stacked vertically. But Live also features the revolutionary Session View: a unique sketchpad for improvising, playing and performing with musical ideas, without the constraints of the timeline. Freely and independently start and stop any number of audio or MIDI loops – everything stays in sync. Almost everything in Live works in real-time – add, reorder or remove devices, play with Live’s flexible track routing and more – all without interrupting your creative flow. LANGUAGE:ENGLiSH, FRENCH, GERMAN, iTALiAN, JAPANESE, SPANiSH
9.1.2 Release Notes Improvements and feature changes:
- Added control surface support for Akai APC40 MKII, APC Key 25, APC mini.
- Updated control surface documentation.
- Improved readability of text in clips, tracks, chains and macro controls. The text color is now automatically inverted, depending on the background color.
Bugfixes:
- Live would show cryptic error messages in case it detects and repairs a corrupt database. – - Now it shows something more meaningful.
- Looped clip envelopes could have an incorrect length after unlinking the envelope, linking it again and then moving the clip from Session View to the Arrangement View.
- MIDI data from the computer MIDI keyboard or an external MIDI input could have a huge delay after plugging a cable into the computer’s headphone jack (Mac OS X only).
- When overdubbing a MIDI clip in the Arrangement View, the resulting clip would not be cropped to the correct content, but would contain all other notes of the track.
- A playing clip in the last scene would stop playing when deleting a scene above it.
- Fixed a bug that could occur when recording automation over a loop jump in a Session View clip when the Arrangement View’s loop is active.
- Plug-in parameters of certain VST plug-ins would not instantly update on the custom plug-in window after changing presets.
- The AU versions of UAD powered plug-ins would not release their DSP resources when turning them off in Live, even if the option “Release all UAD DSP resources on AudioUnit bypass” was enabled in the UAD control panel.
- Loading a set containing many disabled UAD AU plug-ins may have resulted in a “UAD bandwidth allocation exceeded” error while loading the set.
- Fixed a crash which could occur when quitting Live via the Mac OS X App Switcher (CMD+TAB).
- Fixed a crash that could occur on Mac OS X when quitting the application while Live is buffering samples.
- Fixed a crash which could occur in the 64-bit version when triggering multiple voices in Sampler and having the Shrink/Expand Envelopes feature enabled.
- Fixed a crash which could occur in the 32-bit version of Live when loading presets containing a very large amount of devices.
- Fixed a crash that could occur under certain conditions when moving scenes and then using Undo.
- Live 9 Intro or Lite would crash when importing an audio clip which uses the Complex or Complex Pro warp mode (Windows only).
RELEASE NOTES & INFO: http://redi.se/d2y Ableton Live 9 Suite v9.1.2 MAC OSX http://beelink.in/14086/Ableton-Live-9-Suite-v9.1.2-MAC.html
Over 220MB of funky, freaky and furious fidget, bassline and electro-house from Dutch masters Mightyfools – all presented in pristine 24-bit quality. Combining elements of nu-rave, electro and house, fidget has stormed dancefloors worldwide over the past year. Instrumental in the rise of the scene are Amsterdam’s Mightyfools. Featuring banging bass loops, deep and dirty drum loops, sizzling synths and an extensive arsenal of drum hits, combis and FX to boot, all sounds are Acidized and recorded at an industry standard 128bpm. 250+ sounds in total. Designed with pure dancefloor devastation in mind, it won’t be long before this release is earmarked as a future classic.
Extreme belongs to our range of hybrid synthesizers. Have you been looking for a synth which sounds different? Then look no more. Extreme supplies a range of sounds which are everything else than common. Extreme includes 256 presets, but it uses our soundpack technology so you may add soundpacks. Three optional soundacks are available for Extreme giving you a total of 1024 presets to explore.
About Extreme
Extreme uses samples/waveforms as the oscillator source. In addition, there’s an ensemble section which can multiply the oscillator source into 6 different oscillators, which gives Extreme a very thick and punchy sound. The waveforms/samples can be categorized as distorted, big, punchy, noisy and wicked, appealing to musicians who need a unique tool which sounds different compared with the average software synthesizers on the market. Extreme features one resonant lowpass filter per voice. And there’s a traditional amplitude envelope as well. And pitch modulation (LFO). There’s a stereo delay (one for the left and one for the right stereo channel). In addition, Extreme includes an ensemble unit which multiplies the oscillator into six oscillators which can be detuned (the amount control) and mixed with the original voice.
Effects
The effect section in Extreme is quite comprehensive. We have included a resonator, a flanger, reverb, a pitch shifter, amplitude modulator and even a sub oscillator. And there are several filter banks and bandpass filters. Now as if this isn’t enough, these can be used in series or layered to create thick effects. Alright, you say, but hold on. There’s more. These effects can be cross faded as well. Yes, there are effect modes which let you, say, crossfade between the resonator and a flanging effect. Or crossfade between the flanger and a filter bank.
Voices
You may configure Extreme so it gives you any number of voices your computer can handle (depending on how fast it is). Or you can set a fixed limit if you don’t want to allocate more than a certain number of voices for Extreme.
MIDI Controllers
The plugin has a learn mode for MIDI controllers. Just click on the learn button, turn a particular software knob, which you want to control, and then turn a hardware knob on your controller. Then the plugin has learnt that this hardware knob will control this software knob. Can’t be easier. You can also use the learn function to draw controller waveforms in your MIDI sequencer.
Selecting Patches
There’s a drop down menu which you use to select patches. Instead of selecting from the drop down menu you may also hit the increment or decrement buttons to step one preset forward or backward.
Other
There’s a 4th order lowpass filter with resonance, which can be controlled by an envelope. In addition, MIDI velocity may control the filter cutoff frequency. If you don’t like volume velocity then you may reduce the volume velocity or turn it off completely. The plugin includes an LFO for pitch modulation and another LFO for effect modulation. The effect LFO has many shapes to choose from, for example triangle, saw and stepped waveforms.
Prunehead (aka Simeon) delivers a laid back library of high quality rhodes drum and bass groove kits that provide the ideal starting point for song creation. His usual high standard of musicality and expertise in groove programming are evident throughout. This time though he goes beyond the groove and adds delicious bass lines and smooth rhodes licks to his repertoire for the first time too. If you’re looking for something funky, laid back and a bit different this is the library for you! 57 song kits – tempos range from 70 right the way up to 124 bpm with most of them sitting in the 90-100 bpm range – 228 loops in total 444MB 16 Bit Quality
Contains:
228 Loops in Wav and Rex
57 Song Kits each containing, Bass, Rhodes, Drums and Full mix
INFO: http://redi.se/e71 Rhodes Drums and Bass WAV REX2 http://beelink.in/14089/Rhodes-Drums-and-Bass-WAV-REX2.html
Chav has mixed and mastered records for everyone under the sun including: J Dilla, Eminem, D12, Snoop, The Game, Busta Rhymes, Method Man, Redman, Jay Electronica, Bilal, and Dr. Dre to name a few.
This Kit Features: 240 Bangin Drum Samples from Chav’s Arsenal + Ultimate 909 Kit (1200+ samples), including:
Drum Arsenal Vol. 1 (Swiss Army Kit)
Drum Arsenal Vol. 2 (Dirty Edition)
Drum Arsenal Vol. 3 (808′s & Booms)
Drum Arsenal Vol. 4 (Electronic Edition)
Drum Arsenal Vol. 5 (Ultimate 909)
Drum Arsenal Vol. 6 (Warped Drums)
Drum Arsenal Vol. 7 (Kicks & Snares Pt. 1)
Drum Arsenal Vol. 8 (Kicks & Snares Pt. 2)
INFO: http://redi.se/e72 Drum Arsenal WAV http://beelink.in/14090/Drum-Arsenal-WAV.html
Designed to give you the progressions you need to build a track around, our Deep House Chords Pack gives you an eclectic pallet of smooth and soulful analogue Synth sounds to create the perfect Deep track with. Recently, nearly all genres from House to Drum and Bass to Hip Hop have all embraced the “Deep sound” Deep House Chords gives you a selection of Progressive pads, Synth stabs, morph chords and of course Rhodes progressions to create your tunes around. Vintage keys and synths were taken and run through our usual range of great mics and class a pres as well as some of our favourite vintage outboard gear to get that sound. Once in the box we played again to give you some original samples that we couldn’t recreate if we tried. This is yet another toolbox to save you hours and inspire you at the same time.
In total expect to find 249 wav loops and samples, in detail: 36 Rhodes Loops, 131 Synth,Chords & Pads, 19 Morph Chords, 15 Stab Chords, 24 Synth Stab Multi Samples, 24 Synth Sustain Multi Samples, 201 Rex2 Files, 2 Soft Sampler Patches for NNXT, Halion, SFZ, Kontakt and EXS24 all recorded at 24bit 44.1 and tempos between 110-130bpm If you’re looking to feature that “Deep” sound in your tunes or want to add a little Soul to your mix, don’t delay, check out the demos and sample FLPs Deep House Chords today.
Contains:
36 Rhodes Loops
131 Synth, Chords & Pads
19 Morph Chords
15 Stab Chords
24 Synth Stab Multi Samples
24 Synth Sustain Multi Samples
201 Rex2 Files
2 Soft Sampler Patches for NNXT, Halion, SFZ, Kontakt and EXS24
110-130BPM
INFO: http://redi.se/e73 Deep House Chords MULTiFORMAT http://beelink.in/14091/Deep-House-Chords-MULTiFORMAT.html
Sylenth Electro Essentials Vol.1 – A stunning collection of 64 chart-topping patches designed for Sylenth1. Each patch has been cleverly designed to work across a broad spectrum of genres. Whether you’re producing Electro House, Complextro, Dubstep, Deep House, Trap or even Pop, Sylenth Electro Essentials has you covered.
Inspired by EDM superstars such as: Deadmau5, Swedish House Mafia, A-Trak, Martin Solveig, Afrojack, Tommy Trash, Avicii, Hardwell, and Laidback Luke.
All sounds have been designed for maximum depth, width and punch in order to cut through even the busiest mixes.
For added flexibility, patches are offered with a variety of editable parameters offering you the ability to automate progressions or tweak patches to fit seamlessly into your track.
Create, produce and perform. Create ideas, make changes without stopping, and capture everything as you work. If you’ve used music software before, you’re already familiar with one half of Ableton Live. Live’s Arrangement View is a familiar working space: time moves from left to right, while tracks are stacked vertically. But Live also features the revolutionary Session View: a uniquesketchpad for improvising, playing and performing with musical ideas, without the constraints of the timeline. Freely and independently start and stop any number of audio or MIDI loops – everything stays in sync. Almost everything in Live works in real-time – add, reorder or remove devices, play with Live’s flexible track routing and more all without interrupting your creative flow.
INFO: http://redi.se/e75 Ableton Live Suite 9.1.2 x86-Portable http://beelink.in/14093/Ableton-Live-Suite-9.1.2-x86-Portable.html
The Vintage EQ gets its name from the warmth and character you hear when passing a signal through this EQ. Any mastering or recording engineer worth his weight in salt will know that when using a “standard” digital EQ, the frequency response approaches 0dB and the signal frequency approaches the Nyquist frequency.
This is not the way analogue equalizers behave and the Vintage EQ solves this problem by using an advanced filter algorithm that produces a curve that is not 100% symmetrical, producing a desired “vintage” sound. Another very important element to this EQ is that unlike its competitors, the Vintage EQ does not use oversampling, since that would require down-sampling and pre-filtering (to avoid aliasing) which in turn would ruin the sound.
Signals Analyzer – it is the program, which is designed for the very qualitative analysis of different signals. The main area of SA application is the analysis of unknown or unclear, strange signals. The overwhelming majority of the existing analyzers do not have powerful and convenient possibilities for the real qualitative analysis. Such analyzers are providing poor set of tools, or even reducing the analysis to simple sort out of the known signals in real time.
Such approach, first of all, does not provide reliability of the analysis, and in the second, it does make the analysis of really unknown or distorted signals impossible. SA is the multi-discipline offline analyzer. SA does not limit possibilities of an analyst. The number of the unique tools and solutions bring out the SA program in absolutely other class of analyzers, giving to analytics possibilities, which are unavailable in other products, and allows to take precise characteristics of FSK, MFSK, PSK, QAM, OFDM signals and of their various combinations and modifications.
SA gives an ability to work with both *.wav files, which are standardly used as a working material, and I/Q data(I/Q is surely very progressive),which is widely adopted in SDR technology and various receiving complexes.
VST-effects, built on the basis of MHC Space Synthesizer. 256 presets are included. Suitable for various cosmic sounds and pads. From the usual saws, if you wish, you can make a powerful atmospheric pad.
MHC Space Effect VST v1.5 WiN-ArCTiC http://beelink.in/14096/MHC-Space-Effect-VST-v1.5-WiN-ArCTiC.html
The Essential Compressor is a versatile and transparent compressor, designed for the discerning engineer who does not want any coloration or character added to the signal. The Essential Compressor lends itself perfectly for instruments ranging from classical instruments to rock bass and drums.
Features:
* 64 bit.
* Responsive VU level indicator for input and output signal.
* A/B preset switching capable of automated setting changes.
